If someone had told me five years ago that I would be where I am today, I would have found it hard to believe. The word “cinema” evokes images of grand productions, Hollywood glamour, and the artistry of countless individuals working behind the scenes to create moments that last mere seconds on screen. Among these dedicated professionals is Lester Beck, a talented cinematographer, gaffer, editor, and musician originally from Paris. After moving to New York in 2016, Beck has embraced the opportunities that the city offers and is well on his way to realizing his American dream.In an exclusive interview with perlarico.com, Beck shares his story of leaving France in pursuit of success in the entertainment industry.
- How do you describe yourself?
Lester: I see myself as a diligent worker who constantly seeks self-improvement and efficiency in both my professional and personal life. Social connections are crucial in this industry, as they often lead to job opportunities. - What motivated your move to New York?
Lester: During film school, I was offered an optional fourth year of study in New York. My admiration for the city inspired me to take this chance, initially intending to stay for just one year. However, I soon discovered that foreign students could extend their visas through Optional Practical Training (OPT), allowing me to work legally in my field for an additional year. After two years, I built a network that enabled me to apply for an O-1 artist visa, which requires substantial proof of significant contributions to the industry. Now, three years later, I am thriving in New York. - What has your experience been like working in New York?
Lester: New York is undoubtedly a hub for film work. Even as a newcomer without connections or family here, I found ample job opportunities early on. The city is known for giving people chances. - How did your passion for cinema begin?
Lester: My interest started in childhood when I experimented with my mother’s tape camera. I created videos with friends during vacations and later began making music videos in high school. A suggestion from a friend led me to pursue film school, where I discovered my true calling. - Is being a Director of Photography (DP) stressful or enjoyable?
Lester: It encompasses both aspects. Preparing for shoots involves problem-solving and ensuring all technical needs are met, which can be stressful. However, once we set up the scene and lighting, the stress dissipates, and I find immense joy in my work. - What career highlights stand out for you?
Lester: I’ve had the privilege of working on independent films with talented directors and notable actors as a DP. In commercials, I’ve collaborated with prestigious brands like UPS, Huggies, Mercedes, Porsche, and Play-Doh—experiences that greatly enhance my résumé. - How has your journey as an editor and actor been?
Lester: I’ve always enjoyed editing my own videos since childhood and adapted easily to software like Final Cut and Premiere as technology evolved. While I now focus on editing my projects due to its unique challenges when working for others, acting has provided an intriguing perspective since I’m usually behind the camera. - Can you elaborate on your role as a gaffer?
Lester: As a gaffer, I am the right hand of the DP and oversee the lighting department. My responsibilities include determining how to light scenes based on the desired mood set by the director while managing all lighting equipment and electrical needs on set. - What about your role in the Electrical Department? Is it challenging?
Lester: The Electrical Department focuses on lighting setups that can vary in difficulty depending on the scene’s requirements. With experience comes familiarity with common setups across various projects. - Which role do you enjoy most?
Lester: Being a Director of Photography is my favorite because it represents the pinnacle of what I love about filmmaking. While gaffers lead lighting departments, DPs must possess extensive knowledge of lighting while also making crucial decisions about camera movements and shot composition alongside directors. - How do you balance various types of productions?
Lester: Each type of production demands different lighting techniques—narrative projects often focus on contrast and realism; music videos allow for more creative expression; while commercials typically require clean aesthetics. - Have you faced challenges on set that required quick thinking?
Lester: Absolutely! We often refer to Murphy’s Law—anything that can go wrong will go wrong—in filmmaking. Being prepared with contingency plans is essential. - Do you feel you’ve achieved the American dream?
Lester: I’m proud of where I am today; five years ago, this seemed unimaginable. Each time I reach a goal, new aspirations emerge—my drive for success remains strong. - What does your family think about your journey?
Lester: They are proud of my accomplishments in the U.S., which is quite impressive back home in France. While it feels like my own life choices were not extraordinary, they required hard work and dedication. - What advice would you give aspiring filmmakers?
Lester: The path is challenging—there’s no job security and long hours—but if filmmaking is your passion, persistence will lead to success. Many enter this field because it seems glamorous; true motivation must come from love for the craft. - To whom do you attribute your achievements?
Lester: While family support has been invaluable, my success in New York’s film industry stems from my choices and efforts alone. Building trust through demonstrated competence is crucial; ultimately, my achievements are dedicated to making my mother proud.
Thank you, Lester Beck, for sharing your inspiring journey from Paris to New York—a testament that with determination and hard work, anyone can succeed in their dreams within the entertainment industry. You can explore more about Lester’s work at his IMDb profile and follow his journey on Instagram @lesterbeck.
